Alfred is also shown making the Robin costume, clearly acting on Bruce's wishes and not of his own accord, opposed to what is portrayed in the finished film. The sequence illustrates how Dick Grayson can realistically become Robin, but the final film makes this a sudden development wherein Batman casually brings an untrained Robin to tackle two psychotic murderers. Bruce clearly admires Dick's passion, leading to a training montage testing his athleticism, use of Batarangs, and studying criminal files. This is supported by news reports questioning Batman's effectiveness in the wake of Two-Face's rampage. On the bright side, that's better than how the DCEU typically fairs with critics but, unlike the previous films in the DCEU, the pedestrian reviews now appear to significantly affecting the box office.In Batman Forever's early script, Dick is less hostile towards Bruce and insists that the Dark Knight needs help. In typical, DCEU fashion, Justice League has less than favorable reviews and currently sits at a 39% on Rotten Tomatoes. Now would that four letter word have actually added anything to the film or improved the review scores? Doubtful, but it's interesting to hear the reason certain things left in the editing bay. Don't do that. A lot of my sh*t explodes.''Īs for why it was cut, Ezra hypothesized, 'Because, I think, that we only got a certain number of curse words.' Don't do that.' But the original line was, 'Hey. ' throws that thing against the wall in the Batcave, and original line was-I think now he just says, 'Hey. 'There's a line that I miss from the film, that I wish was in there,' Miller revealed to GameSpot. As we've seen from the trailers, Justice League attempts to inject some more fun into the franchise (whether it succeeded is a completely different story).Įzra Miller's The Flash seems to be the comedic relief, and according to the actor, there was one joke in particular that was sacrificed to ensure the film maintained its PG-13 rating. One of the biggest critiques of the DC Extended Universe is how tonally dark the films tend to be.

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